Alia Sellami with the group Vocal Aloes: This concert which is of great originality, unites 5 magnificent voices around a repertoire of sacred chants a capella from all over the world. It is thus surprising to conclude that, from the depths of Africa to the rivers of the Mediterranean, and from Asia to the heart of America, the music of different peoples and the way they sing their god or gods are similar. Nafass, a fascinating and moving journey in the cultures and hearts of men and of in that which unites them.

“At the heart of Dhoad Gypsies are four brothers from a rich and celebrated musical legacy reaching back through seven generations from the esteemed musical tribal caste of Rajasthan.“Rajasthani music is respected by virtuosos the world over for its emotion and unparalleled rhythmic speed and complexity, evoking a trancelike state for audience and performers alike.

One of the most famous classical singers of Sufiana Qawwal, disciple and pupil of the great master Raza Ali Khan. He popularized his own style of harmony between the classical and the modern, disengaging the so-called learned music from his old fashions. His creativity earned him the title CHISHTI RAAGI. His repertory draws from the great Sufis poets paying tribute in most of his concerts to HAZRAT SHEM TABREZ

The concert lasts between 1:30 and 3:00 depending on the program requested: 1- improvisation, rhythms of the music and the Derouiches begin to dance with white clothes. This passage will include Sufi poems by Ibn El Fard. 2-several Sufi songs 3-The Derouiches will dress in clothes rainbow colored 4-Sufi songs 5-Derouiches will dance the Egyptian Tanora

Considered as the star of religious chants, Mahmoud Touhemy ows his growing popularity in the Muslim world to his very personalized interpretation of Imam Bousiry’s poem AL Burda. His rich repertoire is immersed in the heritage of religious chants as well as new compositions and arrangements that are closer to popular music than to the world of sacred chants. QAMAR’EL NABI has become a famous song , known by all throughout the Arab world and it always accompanies his multiple apparitions on Egyptian TV channels.

The term 'Al Manga' would be synonymous with 'Dukkana', a masonary bench, found in Saints Shrines (Zawiya) or in hammams and used for sitting or resting. When speaking of 'Jalsat al manga' (Manga session), the followers of the Issawiya brotherhood refer to the session of chanting called Mjarrad. The Issawiyya brotherhood is known for its litanies which lead to rites of trance, where the disciple becomes insensitive to pain. In the tradition of Tunis and its surroundings, the litanies of the Issawiyya begin with a purely vocal section, before shifting to 'amal, a section accompanied by percussion instruments, and then moving on to dance and trance rites. It is the first part of the litanies that took the name of 'Mjarrad', literally 'stripped of musical instruments'. The schanting is then accompanied only by the clapping of hands, reproducing a single , five beats rhythmic cycle.